It was during her second journey to Fukushima that Rebekka Deubner shot the pictures of tempête après tempête. That part of Japan was impacted by three major events : a naval quake, a tsunami, and lastly the explosion of the Fukushima Daiichi nuclear power plant. Deconstruction does not only causes annihilation, it also creates the occasion for new forms of life to emerge. ‘tempête après tempête’ portrays Fukushima through close-ups of inhabitants, scattered pieces of land, details of sea landscapes, moving elements of nature such as insects or seaweed. Put back together, those pieces create a new and hybrid body.
For Deubner taking close-ups is a way of working that is essential to her practice. Looking at things from a near perspective, gives her the opportunity to feel their materiality and texture directly through her eyes. It is as if the lens of the camera is an extension of her touch. It also allows her and her subjects to experience a form of contemplation. Taking time to create a testimony of this land where all the scattered pieces were never been understood as a whole.
|Number of pages:||104 pages|
|Number of images:||102 images|
|Dimensions:||23 × 32 cm|
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