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    With Murmur Tomoko Daido looks at the theme of collective memory, the traumatic events that characterize it, questioning the ways in which the past shared by a community of individuals is reflected in the present.

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    “The Mechanical Retina on My Fingertips” is how Suda named his Minox Camera that held him in thrall from 1991 to 1992 (...) Suda comments that “no other camera ever accompanied my activities so closely.”

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    Hypermarché – Novembre, the third volume in The Gould Collection, partners Japanese photographer Motoyuki Daifu with French writer Michel Houellebecq to critically explore themes of love, pain, family and daily life.

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    Published in 1968, « Japan: A Photo Theater », is the first book by Japanese photographer Daido Moriyama and is one of the works that defined a new visual language for the Japanese photographic scene of the late 1960s.

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    Remote Past a Memoir: 1951 - 1966 has been published in conjunction with the third Daikanyama Photo Fair, for which his works have served as the main visuals.

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    Takehiko Nakafuji’s new photobook “White Noise” concentrates on Japan’s capital Tokyo. Nakafuji began shooting the photographs after seeing the nuclear plant in Fukushima explode on March 11, 2011.

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    Briefly published from 1968 to 1969 in Japan, PROVOKE had a profond impact on the landscape of contemporary photography. LE BAL had dedicated a major exhibition on it in 2016 and on this occasion showed the original and extremely rare magazines. Publisher Nitesha reissues today a facsimile of the three magazines.

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    After 'Pantomime', 'Tights in Shimotakaido’ is Daido Moriyama’s second series of silk-screen printed and hand-bound photobooks with Japanese publisher Akio Nagasawa.

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