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    Photographs from Tokyo’s streets from 1990–96. Having learned under, among others, Daido Moriyama in the 1980s, Hiroyoshi Yamazaki spent the 1990s photographing the streets of Tokyo.

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    Gao Shan’s award-winning photobook “The Eighth Day” takes its name from his personal history – on the eighth day after his birth, Shan was adopted by his new mother. [...] In his ongoing series, he uses the camera not for cold observation but as an active tool in their relationship. An intimate, emotional photographic document that involves its viewers’s...

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    The massive volume “Gekko Shashin” collects 26 series by Japanese photography master Nobuyoshi Araki. Taken between 1964 and 1971, during the early years of Araki’s career, they form the missing link between his 1964 photobook “Sachin” (which earned him the Taiyo Award) and his 1972 masterpiece “Sentimental Journey”.

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    "A Hunter” was published in 1972, as the tenth part of a photobook series called “Gendai no Me,” and includes some of Daido Moriyama’s most infamous and respected photographs. For the series, Moriyama—inspired by Kerouac’s “On The Road”—drove through Japan by car, took photos wherever his wheels took him, and substantiated his status as one of Japan’s...

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    "My father was a bit plump, he looked grumpy and didn’t laugh much in front of me. As time passed by, he became smaller and smaller. Long after I left home to live on my own, my father bought a black dog. Its belly was partly white, which contrasted with its body. The doggy’s name is Kuro, which means ‘black’ in Japanese..." Hajime Kimura

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    ‘My entire family, whose image I see inverted in the frosted glass, will die one day. This camera, which reflects and freezes their images, is actually a device for archiving death’. – Masahisa Fukase

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